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MURDER, SHE WROTE: WHO THREW THE BARBITALS IN MRS. FLETCHER’S CHOWDER? (Season 4, Episode 12)

SUMMARY:             APPROX. RUNNING TIME: 47:00 Min.

First broadcast by CBS-TV on January 3, 1988, John Llewellyn Moxey directed this episode from Robert Von Scoyk’s script. 

Sheriff Tupper (Bosley) is bewildered when his distraught sister, Winnie (Meara), shows up in Cabot Cove, with her ornery husband (Stockwell) and mooching in-laws (Gibson & Lewis) not far behind from their rural small town. 

Seeking solace, Winnie innocently flirts with Seth (Windom) while staying at Jessica’s (Lansbury) home.  Attempting to deescalate the Tuppers’ estranged family relations with a dinner invitation, Jessica’s homemade chowder is evidently poisoned with an extra fatal ingredient. 

Further complicating the subsequent homicide investigation is a shifty private detective (Rhodes) and Tupper’s exceedingly new gung-ho deputy (Camp).  Yet, Jessica senses the crime’s motive is indeed close to home.  

Jessica Fletcher: Angela Lansbury

Sheriff Amos Tupper: Tom Bosley

Dr. Seth Hazlitt: Wiliam Windom

Winnie Tupper Banner: Anne Meara

Henry Banner: Henry Gibson

Deputy Marigold Feeney: Colleen Camp

Deputy Grover: Dennis Bailey

Elmo Banner: Guy Stockwell

Kenny & Flo Oakes: Geoffrey Lewis & Barbara Rhoades

Ed Bellamy: Donnelly Rhodes

Ralph: Joseph V. Perry

Deputy: Uncredited.

REVIEW:

Despite depicting a dull mystery, this episode is still enjoyable.  Curiously, given several reliable comedians on hand, the tinges of humor do not necessarily fit the serious-minded script (i.e. inferences of domestic abuse). 

For instance, Colleen Camp’s presence supplies welcome comedic relief, but her scenes don’t contribute much to the plot itself.  Had she been phased into a recurring role (vs. this mere one-shot), Camp likely would have had some delightful chemistry with Bosley as his character’s self-appointed second-in-command. 

Generally, the chemistry Lansbury and her regular co-stars share with this guest cast (particularly, Meara and Camp) share make up for the story’s sluggish storytelling. Without much of a whodunnit to unravel, this episode wins primarily on Jessica Fletcher’s charm and the guest cast’s classiness.

BRIAN’S ODD MOON RATING:                      5 Stars

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THREE STOOGES: “MEN IN BLACK” (1934)

SUMMARY:      RUNNING TIME: 18:06 Min. (Black & White)

Directed by Raymond McCarey off Felix Adler’s script, this 1934 comedy is the Stooges’ sole Oscar-nominated work.  At the Los Arms Hospital, the Stooges are among the facility’s new physicians supposedly dedicated to their professional motto: ‘For duty and humanity!’  Yet, the trio’s sheer ineptitude during their first shift causes non-stop chaos. 

Dr. (Moe) Howard: Moe Howard

Dr. (Larry) Fine: Larry Fine

Dr. (Curly) Howard: Jerry “Curly” Howard

Dr. Graves: Dell Henderson

Maintenance Worker (Glass Door Repair): Hank Mann

Doctors: Bud Jamison & Charles Doherty

Nurses: Jeanie Roberts, Lucile Watson, Eve Kimberly, Irene Coleman, Kay Hughes, Betty Andre, & Carmen Andre

Mentally Disturbed Patient: Billy Gilbert

Diminutive Female Patient: William H. Rhodes

Anna Conda: Phyllis Crane

Anesthesiologist (Surgery Sequence): Charles King

Nurse (Surgery Sequence): Ruth Hiatt

Western Union Messenger: Bobby Callahan

New Doctors (Opening Sequence): Uncredited (including Arthur Rankin)

Additional Doctors & Nurses: Uncredited

Uncredited Role: Pat West

Note: The episode’s title spoofs 1934’s controversial hospital drama, Men in White, co-starring Clark Gable & Myrna Loy. 

REVIEW:

Far more reminiscent of Marx Brothers-style screwball comedy, “Men in Black” cleverly earns its Oscar nomination.  Playing off unpredictable wackiness instead of cartoony slapstick, a young Larry, Moe, & Curly are in vintage form parodying Hollywood hospital melodramas. 

Even if “Men in Black” isn’t LOL hilarious, this Stooges caper is still a black-and-white gem approaching ninety years old.    

BRIAN’S ODD MOON RATING:                     8 Stars

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THREE STOOGES: “OILY TO BED, OILY TO RISE” (1939)

SUMMARY:     RUNNING TIME: 18:23 Min. (Black & White)

Directed by Jules White, this Three Stooges comedy was scripted by Andrew Bennison & Mauri Grashin.  Upon being chased off a job chopping wood, wandering vagrants Moe, Larry, and Curly next approach kindly Mrs. Jenkins for a free meal.  It quickly comes to their attention that she has just been swindled out of her farm by three greedy hustlers.  Discovering a gushing oil well on the widow’s property, the Stooges race off to intercept the conceited crooks to retrieve the Jenkins farm’s deed. 

Meanwhile, by sheer coincidence, Curly’s every pivotal wish is conjured up seemingly out of thin air.  Among such wishes is the revelation of Mrs. Jenkins’ three lovely daughters … and an imminent showdown with their new enemies.

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Mrs. Jenkins: Eva McKenzie

April Jenkins: Dorothy Moore

May Jenkins: Lorna Gray

June Jenkins: Dorothy Comingore

Farmer Johnson: Richard Fiske

Clipper (Swindler # 1): Dick Curtis

Briggs (Swindler # 2): Eddie Laughton

Swindler # 3 (The Driver): James Craig

REVIEW:

Though it isn’t LOL hilarious, “Oily to Bed, Oily to Rise,” succeeds in some feel-good storytelling vs. merely a formulaic series of slapstick gags.  Suffice to say, it’s a well-played Stooges caper!   

BRIAN’S ODD MOON RATING:                 7 Stars

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THREE STOOGES: “POP GOES THE EISEL” (1935)

SUMMARY:      RUNNING TIME: 18:07 Min. (Black & White)

Directed by Del Lord, this early Three Stooges comedy for Columbia Pictures was scripted by Felix Adler.  Desperate for work, the vagrant Stooges borrow a store’s brooms to try advertising their services.  Mistaking them for thieves, the shop owner sends a plainclothes policeman in hot pursuit of the fleeing Stooges. 

Chased into an upscale art class, the trio is forced to play several rounds of duck-and-dodge with the tenacious cop.  Impersonating artists, the Stooges ultimately incite a clay-flinging melee inside the studio. 

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Plainclothes Cop: Louis Mason

Professor Fuller: Bobby Burns

Artistic Models: Phyllis Crane & Geneva Mitchell

French Artist: Leo White

Shop Keeper: Billy Engle

Bearded Man: Jack Duffy

Motorist # 1 (with Larry): Al Thompson

Panhandled Pedestrian (with Curly): William Irving

Motorist # 2: Grace Goodall

Female Motorist Seeking Social Secretary (with Moe): Uncredited

Rival Vagrant (with Moe): Uncredited

Hopscotch Girls: Joan Howard & Phyllis Fine (cameos)

Art Students & Patrons: Ernie Young, Blanche Payson, Elinor Vanderveer, George Ovey, Delo Jewkes, Jack Kenney, Art Rowlands, Lew Davis, Neal Burns, Harold Breen, & Bob Callahan

Note: Larry’s daughter & Moe’s daughter make their only film appearances.

REVIEW:

Making the most of its simplistic premise, this episode serves up a vintage Stooges caper.  More specifically, the gags often come off as more humorously clever than hilarious (i.e. the hopscotch sequence).  Substituting globs of clay (resembling Play-Doh) for cream puffs and pies, the messy finale is well worth waiting for.  Well-played!    

BRIAN’S ODD MOON RATING:                       7½ Stars

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THREE STOOGES: “SCRAMBLED BRAINS” (1951)

SUMMARY:     RUNNING TIME: 15:51 Min. (Black & White)

Produced and directed by Jules White off Felix Adler’s script, this Stooges comedy has Moe & Larry supervising Shemp’s home rest upon release from a psychiatric ward.  Hallucinating that his adoring nurse is an attractive blonde, Shemp becomes engaged.  At home, Larry & Moe contend with Shemp’s failed efforts at recuperation.  Among the trio’s antics is a close-quarters brawl inside a telephone booth with an irate stranger, whose groceries are ruined. 

On an oblivious Shemp’s wedding day, Moe & Larry are mortified to find out who his new father-in-law is.  A rematch with the Stooges is the first thing on this guy’s mind.

Moe: Moe Howard

Larry: Larry Fine

Shemp: Shemp Howard

Nora the Nurse: Babe London

Nora’s Dad: Vernon Dent

Dr. Gseundheitt: Emil Sitka

Marybelle: Royce Milne

Fantasy Nora: Pamela Britton

Orderly: Johnny Kascier

Stooge Stunt Doubles: Johnny Kascier, B. Edney, & Joe Murphy

REVIEW:

One might pause at the thought of the Stooges parodying mental illness, but this episode isn’t half-bad.  Aside from a crass biting gag, the phone booth melee is a gem, as Larry scores some terrific laughs.  Otherwise, the plot for “Scrambled Brains” is somewhat middling, as are most of the gags.  Along with the phone booth fistfight, Shemp’s piano playing sequence setting off another round of his hysterics is still worth catching.    

The dubious upside to “Scrambled Brains” is that it isn’t another cheapo cut-and-paste job that Columbia Pictures cobbled together during that era.  This one features original material start to finish, even if the storytelling treads on mediocrity. 

BRIAN’S ODD MOON RATING:                       4½ Stars

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HERCULE POIROT: DEAD MAN’S FOLLY (1986 TV Film)

SUMMARY:                     RUNNING TIME: 94:00 Min.

Adapting Agatha Christie’s same-named 1956 Hercule Poirot novel, CBS-TV first broadcast this Warner Bros. Television film on January 8, 1986.  Set in the present-day, acclaimed British mystery novelist Ariadne Oliver (Stapleton) is commissioned to devise a mock ‘Murder Hunt’ for a Devon village’s community fair. 

With the fair set up at the posh Nasse House estate, Oliver invites the esteemed Belgian sleuth, Hercule Poirot (Ustinov), to attend as her guest consultant.  Yet, the event’s macabre fun turns shockingly real when the supposed teenage victim is indeed murdered in the secluded boathouse. 

Further complicating the crime, the estate’s owner (Pigott-Smith) discovers that his reclusive wife (Sheridan) has ominously vanished.  Soon afterward, an inebriated third victim drowns due to the elusive culprit.  It’s up to Poirot, along with Mrs. Oliver and his trusted associate, Hastings (Cecil), to unravel the sordid truth behind the nefarious events plaguing Nasse House.

Hercule Poirot: Peter Ustinov

Ariadne Oliver: Jean Stapleton

Capt. Arthur Hastings: Jonathan Cecil

Sir George Stubbs: Tim Pigott-Smith

Hattie Stubbs: Nicollette Sheridan

Amy Folliat: Constance Cummings

Detective Inspector Bland: Kenneth Cranham

Police Constable: Jack Ellis

Alec Legge & Sally Legge: Christopher Guard & Caroline Langrishe

Michael Weyman: Ralph Arliss

Amanda Brewis: Susan Wooldridge

Marilyn Gale: Sandra Dickinson

Mr. & Mrs. Tucker: Leslie Schofield & Marjorie Yates

Marlene Tucker: Pippa Hinchley

Marilyn Tucker: Vicky Murdock

Eddie South: Jeff Yaegher

Merdell: Jimmy Gardner

Boatman: Alan Parnaby

Hostel Girl: Siv Borg

Unnamed Women: Dorothea Phillips, Joanna Dickens, & Fanny Carnaby

Unnamed Men: James Gaddas & Cyril Conway

Fair Attendees: Uncredited

Note: This film would be Ustinov’s fourth of six Poirot films (three of which were released theatrically).

REVIEW:

Reasonably faithful to Agatha Christie’s source material, this decent adaptation recognizes that its storyline is indeed TV-caliber, as compared to Peter Ustinov’s ultra-scenic Death on the Nile and Evil Under the Sun.  Populated by a good cast, the highlight is Ustinov & Jean Stapleton’s entertaining chemistry, with some third-wheel help from Jonathan Cecil, giving all three of them amusingly comical quirks. 

As to the mystery itself, Christie’s novel isn’t among her best Poirot whodunnits, but the plot still makes for watchable mainstream television.   

BRIAN’S ODD MOON RATING:                                    5½ Stars

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STAR TREK – THE ORIGINAL SERIES: THE ULTIMATE COMPUTER (Season 2: Episode 24)

SUMMARY:              RUNNING TIME: 50:00 Min.

First airing on NBC-TV on March 8, 1968, second season writer/producer  John Meredyth Lucas directed this episode off a script  devised by Laurence N. Wolfe & D.C. Fontana.  The U.S.S. Enterprise is mysteriously summoned off its current assignment by Starfleet to be fitted with the experimental M-5 computer. 

Designed by Dr. Richard Daystrom, this revolutionary A.I. computer system is the first step towards Starfleet potentially utilizing mostly automated starships for future galactic exploration.  For initial testing, the Enterprise‘s crew is reduced to a mere handful, leaving Captain Kirk, Spock, and Dr. McCoy aboard as glorified on-hand observers. 

First up is a round of simulated ‘war games’ pitting the M-5-automated Enterprise against a trio of fellow Federation starships without live firepower.  Under Daystrom’s gloating supervision, the M-5 achieves easy victory until the elite computer’s self-defined superiority then accelerates with deadly results.  A stunned Daystrom is reduced to a nervous breakdown having lost an emotional battle to salvage what should have been his greatest career achievement. 

Meanwhile, without Daystrom’s help, Captain Kirk & Spock try to improvise a means of regaining control of an Enterprise gone amok once Starfleet determines the M-5 system must be immediately destroyed – even if that means the Enterprise goes with it.

Captain James T. Kirk: William Shatner

Commander Spock: Leonard Nimoy

Dr. Leonard H. McCoy: DeForest Kelley

Lt. Commander Montgomery “Scotty” Scott: James Doohan

Lt. Uhura: Nichelle Nichols

Lt. Sulu: George Takei

Ensign Chekov: Walter Koenig

Dr. Richard Daystrom: William Marshall

Commodore Bob Wesley: Barry Russo

Lt. Leslie: Eddie Paskey

Lt. Brent: Frank da Vinci

Lt. Lemli: Roger Holloway

Harper: Sean Morgan

REVIEW:

No matter how predictable this episode’s plotting really is, “The Ultimate Computer” remains very watchable.  The reliable chemistry between Shatner, Nimoy, and Kelley, is a treat, as is their well-played teamwork with guest William Marshall.  The story itself is heavy-handed, in spite of its good intentions spelling out the fallacy why technology shouldn’t supersede humanity. 

In the end, though, “The Ultimate Computer” is a kid-friendly Trek that merits a chance to be seen by younger generations.     

BRIAN’S ODD MOON RATING:                        6 Stars

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STAR TREK – THE ORIGINAL SERIES: THE GALILEO SEVEN (Season 1: Episode 16)

SUMMARY:                  RUNNING TIME: 51:00 Min.

First airing on NBC-TV, on January 5, 1967, Robert Gist directed this mid-season episode off Oliver Crawford & Shimon Wincelberg’s (aka S. Bar David) script.  During the U.S.S. Enterprise’s journey to Markus III to deliver much-needed supplies to its New Paris colony, a quasar-like phenomenon, Murasaki 312, necessitates scientific investigation.  Aboard the shuttlecraft, Galileo, Spock commands an exploratory team consisting of Scotty, Dr. McCoy, and four others. 

Yet, an emergency situation strands the Galileo on the primitive world known as Taurus II.  Amidst makeshift repairs, the shuttle’s crew defends itself from multiple attacks by the planet’s barbaric and increasingly aggressive natives.  Pressured by Commissioner Ferris, Captain Kirk is rapidly running out of allotted time to find his missing crew members.  Essentially, the lost Galileo is a needle in a galactic haystack. 

From the ship’s bridge, Kirk fears the worst once his search parties encounter the same lethal brutes that have previously attacked the Galileo.  Pursuing one desperate shot at an escape and saving his team, Spock’s cool-headed logic and command abilities are increasingly doubted by his skeptical subordinates.  Ultimately, it’s up to Spock and Scotty to devise a means of overcoming the team’s slim odds of rescue.  

Captain James T. Kirk: William Shatner

Commander Spock: Leonard Nimoy

Dr. Leonard H. McCoy: DeForest Kelley

Lt. Commander Montgomery “Scotty” Scott: James Doohan

Lt. Uhura: Nichelle Nichols

Lt. Sulu: George Takei

Lt. Boma: Don Marshall

Lt. Gaetano: Peter Marko

Yeoman Mears: Phyllis Douglas

Commissioner Ferris: John Crawford

Lt. Kelowitz: Grant Woods

Lt. Latimer: Rees Vaughn

Transporter Technician: David Ross

Taurus II Brute: Buck Maffei

REVIEW:

Though its outcome is never really in doubt, Nimoy & Kelley’s reliable chemistry as Spock & McCoy ensures that “The Galileo Seven” is a dynamite Trek.  In a welcome change, especially reciprocating against Kelley and guest Don Marshall, Nimoy overshadows Shatner as this episode’s true dramatic star. 

No matter its familiar TV plot contrivances, “The Galileo Seven” is well-played (particularly, with the welcome insertion of modern F/X).     

BRIAN’S ODD MOON RATING:                 7 Stars

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MURDER, SHE WROTE: JUST ANOTHER FISH STORY (Season 4: Episode 19)

SUMMARY:             APPROX. RUNNING TIME: 47:00 Min.

First broadcast by CBS-TV, on March 27, 1988, Walter Grauman directed this episode off Philip Gerson’s script. 

Urged by her recently engaged nephew, Grady (Horton), new investor Jessica Fletcher (Lansbury) visits the trendy Alice’s Farm restaurant in downtown New York City where Grady now works.  Yet, the corpse of the restaurant’s brusque host (Gautier) is discovered the next morning in the freezer.  Jessica & Grady (as the restaurant’s lead accountant) soon realize financial skullduggery at Alice’s Farm extends to the kitchen. 

Among the homicide suspects are the restaurant’s namesake (Landsburg); an unscrupulous rival entrepreneur (Bono); a snarky food critic (Vacarro); and even Grady’s meek fiancée/assistant accountant, Donna (Zipp).  Meanwhile, Jessica lovingly tries to play mediator to save Grady’s jeopardized engagement to her potential niece-in-law.  

Jessica Fletcher: Angela Lansbury

Grady Fletcher: Michael Horton

Donna Mayberry: Debbie Zipp

NYPD Lt. Ralph Rupp: Norman Fell

Chaz Crewe: Dick Gautier

Valentino Reggiore: Sonny Bono

Harry Finlay: Jack Carter

Mimi Harcourt: Brenda Vaccaro

Alice Brooke: Valerie Landsburg

Doug Brooke: James Carroll Jordan

Nerissa: Dallas Cole

Cook: Zane Kessler

Waiter: Duane Edwards

Cabbie: Richard Molinare

Medical Examiner: Elkanah Burns

NYC Yuppie: Jack Tate

Football Player: Clint Carmichael

Miscellaneous Cops: Uncredited Extras

Miscellaneous Restaurant Customers: Uncredited Extras.

Note: Horton & Zipp are a real-life married couple. 

REVIEW:

Though populated by reliable guest stars, this episode’s blah scripting is just as generic as its title implies.  Suffice to say, Lansbury’s Jessica Fletcher is stuck in a mediocre murder-mystery only worsened by its lame ‘big reveal’ flashback.  The nicely played scenes Lansbury shares with Horton and/or Zipp, unfortunately, won’t bolster viewer interest much. 

“Just Another Fish Story” serves up some watchable pap, but it’s then instantly forgettable. 

BRIAN’S ODD MOON RATING:                    3½ Stars

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MURDER, SHE WROTE: CURSE OF THE DANAAV (Season 4, Episode 14)

SUMMARY:             APPROX. RUNNING TIME: 47:00 Min.

First broadcast by CBS-TV on February 7, 1988, Walter Grauman directed this episode off Chris Manheim’s script.  

While in Washington, D.C., Jessica Fletcher (Lansbury) and Dr. Seth Hazlitt (Windom) accept an invitation to a polo match and then a cocktail party hosted by a Maryland power couple (Bradford & Windsor).  As it turns out, the husband is Seth’s long-estranged brother, Richard. 

At the party, fellow guest Vikram Singh (Bedi) makes ominous allusions to reclaiming the infamous Danaav ruby that Richard had purchased for his wife, Alice.  Specifically, ownership of the priceless ruby allegedly leads to imminent death for those who aren’t pure of heart.  For instance, Alice survives a very close call that same evening. Having essentially reconciled, brothers Richard and Seth share a private drink before bedtime. 

Yet, Richard’s corpse is later found inside his locked study.  Skeptical of the missing ruby’s supernatural powers, Jessica must look to Richard’s belligerent adult children (Badler & Barr), his far younger widow, and her fellow guests, Singh and Richard’s father-in-law (Revill), among them, for a potential culprit. 

The question becomes: who is willing to kill to acquire the ruby by seemingly any means necessary?      

Jessica Fletcher: Angela Lansbury

Dr. Seth Hazlitt: William Windom

Richard Hazlitt: Richard Bradford

Alice Davies Hazlitt: Jane Windsor

Police Lt. Steven Ames: Larry Linville

Carolyn Hazlitt: Jane Badler

Mark Hazlitt: Doug Barr

Vikram Singh: Kabir Bedi

Bert Davies: Clive Revill

Cops: Kres Mersky & Michael McNab

Explorer (Flashback): Michael Blue

Party Guests: Larry Carr, Robert Buckingham, Cindy Cavallero, Ken Clayton, & Dotty Ertel

Miscellaneous Party Guests: Uncredited Extras.

REVIEW:

Deliberately exuding an Agatha Christie-style vibe, this episode is readily watchable.  Supporting Lansbury and Windom is a game assortment of guest stars, who pitch the plot’s formulaic twists well enough. 

The one significant flaw is that the culprit’s identity is practically telegraphed throughout the episode.  There isn’t any single element revealing this tip-off, but the killer’s unmasking in the mystery’s climatic ‘big reveal’ shouldn’t surprise anyone.

BRIAN’S ODD MOON RATING:                   6 Stars